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Schwartz, together with artist Infantino, then revitalized Batman in what the company promoted as the "New Look", re-emphasizing Batman as a detective.

Meanwhile, editor Kanigher successfully introduced a whole family of Wonder Woman characters having fantastic adventures in a mythological context.

Since the s, when Superman, Batman, and many of the company's other heroes began appearing in stories together, DC's characters inhabited a shared continuity that, decades later, was dubbed the " DC Universe " by fans.

With the story " Flash of Two Worlds ", in Flash September , editor Schwartz with writer Gardner Fox and artists Infantino and Joe Giella introduced a concept that allowed slotting the s and s Golden Age heroes into this continuity via the explanation that they lived on an other-dimensional "Earth 2", as opposed to the modern heroes' "Earth 1"—in the process creating the foundation for what would later be called the DC Multiverse.

DC's introduction of the reimagined superheroes did not go unnoticed by other comics companies. However, the senior DC staff were reportedly at a loss at this time to understand how this small publishing house was achieving this increasingly threatening commercial strength.

For instance, when Marvel's product was examined in a meeting, Marvel's emphasis on more sophisticated character-based narrative and artist-driven visual storytelling was apparently ignored for self-deluding guesses at the brand's popularity which included superficial reasons like the presence of the color red or word balloons on the cover, or that the perceived crudeness of the interior art was somehow more appealing to readers.

When Lee learned about DC's subsequent experimental attempts to imitate these perceived details, he amused himself by arranging direct defiance of those assumptions in Marvel's publications as sales strengthened further to frustrate the competition.

However, this ignorance of Marvel's true appeal did not extend to some of the writing talent during this period, from which there were some attempts to emulate Marvel's narrative approach.

For instance, there was the Doom Patrol series by Arnold Drake , a superhero team of outsiders who resented their freakish powers, [24] which Drake later speculated was plagiarized by Stan Lee to create The X-Men.

A Batman TV show on the ABC network sparked a temporary spike in comic book sales, and a brief fad for superheroes in Saturday morning animation Filmation created most of DC's initial cartoons and other media.

This tone coincided with the famous "Go-Go Checks" checkerboard cover-dress which featured a black-and-white checkerboard strip all DC books cover dated February until August at the top of each comic, a misguided attempt by then-managing editor Irwin Donenfeld to make DC's output "stand out on the newsracks".

In , Batman artist Infantino who had designed popular Silver Age characters Batgirl and the Phantom Stranger rose from art director to become DC's editorial director.

With the growing popularity of upstart rival Marvel Comics threatening to topple DC from its longtime number-one position in the comics industry, he attempted to infuse the company with more focus towards marketing new and existing titles and characters with more adult sensibilities towards an emerging older age group of superhero comic book fans that grew out of Marvel's efforts to market their superhero line to college-aged adults.

Kinney National spun off its non-entertainment assets in as National Kinney Corporation and changed its name to Warner Communications Inc.

Given carte blanche to write and illustrate his own stories, he created a handful of thematically linked series he called collectively The Fourth World.

In the existing series Superman's Pal Jimmy Olsen and in his own, newly launched series New Gods , Mister Miracle , and The Forever People , Kirby introduced such enduring characters and concepts as archvillain Darkseid and the other-dimensional realm Apokolips.

Furthermore, Kirby intended their stories to be later reprinted in collected editions in a publishing format that would later be called the trade paperback , which would become a standard industry practice decades later.

While sales were respectable, they did not meet DC management's initially high expectations, and also suffered from a lack of comprehension and internal support from Infantino.

By the "Fourth World" was all cancelled, although Kirby's conceptions would soon become integral to the broadening of the DC Universe. Following the science-fiction innovations of the Silver Age , the comics of the s and s would become known as the Bronze Age, as fantasy gave way to more naturalistic and sometimes darker themes.

Illegal drug use, banned by the Comics Code Authority , explicitly appeared in comics for the first time in Marvel Comics' story " Green Goblin Reborn!

Jenette Kahn , a former children's magazine publisher, replaced Infantino as editorial director in January DC had attempted to compete with the now-surging Marvel by dramatically increasing its output and attempting to win the market by flooding it.

This included launching series featuring such new characters as Firestorm and Shade, the Changing Man , as well as an increasing array of non-superhero titles, in an attempt to recapture the pre- Wertham days of post-War comicdom.

In June , five months before the release of the first Superman movie , Kahn expanded the line further, increasing the number of titles and story pages, and raising the price from 35 cents to 50 cents.

Most series received eight-page back-up features while some had full-length twenty-five-page stories. This was a move the company called the "DC Explosion".

Seeking new ways to boost market share , the new team of publisher Kahn, vice president Paul Levitz , and managing editor Giordano addressed the issue of talent instability.

In addition, emulating the era's new television form, the miniseries while addressing the matter of an excessive number of ongoing titles fizzling out within a few issues of their start, DC created the industry concept of the comic book limited series.

This publishing format allowed for the deliberate creation of finite storylines within a more flexible publishing format that could showcase creations without forcing the talent into unsustainable open-ended commitments.

These changes in policy shaped the future of the medium as a whole, and in the short term allowed DC to entice creators away from rival Marvel, and encourage stability on individual titles.

Their superhero-team comic, superficially similar to Marvel's ensemble series X-Men , but rooted in DC history, earned significant sales [33] in part due to the stability of the creative team, who both continued with the title for six full years.

Crisis featured many key deaths that would shape the DC Universe for the following decades, and separate the timeline of DC publications into pre- and post-"Crisis".

Meanwhile, a parallel update had started in the non-superhero and horror titles. Since early , the work of British writer Alan Moore had revitalized the horror series The Saga of the Swamp Thing , and soon numerous British writers, including Neil Gaiman and Grant Morrison , began freelancing for the company.

The resulting influx of sophisticated horror-fantasy material led to DC in establishing the Vertigo mature-readers imprint, which did not subscribe to the Comics Code Authority.

Two DC limited series, Batman: The Dark Knight Returns by Frank Miller and Watchmen by Moore and artist Dave Gibbons , drew attention in the mainstream press for their dark psychological complexity and promotion of the antihero.

The mids also saw the end of many long-running DC war comics , including series that had been in print since the s.

These titles, all with over issues, included Sgt. In June, the first Tim Burton directed Batman movie was released, and DC began publishing its hardcover series of DC Archive Editions , collections of many of their early, key comics series, featuring rare and expensive stories unseen by many modern fans.

These collections attempted to retroactively credit many of the writers and artists who had worked without much recognition for DC during the early period of comics when individual credits were few and far between.

The comics industry experienced a brief boom in the early s, thanks to a combination of speculative purchasing mass purchase of the books as collectible items, with intent to resell at a higher value as the rising value of older issues, was thought to imply that all comics would rise dramatically in price and several storylines which gained attention from the mainstream media.

DC's extended storylines in which Superman was killed , Batman was crippled and superhero Green Lantern turned into the supervillain Parallax resulted in dramatically increased sales, but the increases were as temporary as the hero's replacements.

Sales dropped off as the industry went into a major slump, while manufactured "collectables" numbering in the millions replaced quality with quantity until fans and speculators alike deserted the medium in droves.

DC's Piranha Press and other imprints including the mature readers line Vertigo , and Helix , a short-lived science fiction imprint were introduced to facilitate compartmentalized diversification and allow for specialized marketing of individual product lines.

They increased the use of non-traditional contractual arrangements, including the dramatic rise of creator-owned projects, leading to a significant increase in critically lauded work much of it for Vertigo and the licensing of material from other companies.

DC also increased publication of book-store friendly formats, including trade paperback collections of individual serial comics, as well as original graphic novels.

One of the other imprints was Impact Comics from to in which the Archie Comics superheroes were licensed and revamped.

DC entered into a publishing agreement with Milestone Media that gave DC a line of comics featuring a culturally and racially diverse range of superhero characters.

Although the Milestone line ceased publication after a few years, it yielded the popular animated series Static Shock. In , DC purchased WildStorm Comics, Jim Lee 's imprint under the Image Comics banner, continuing it for many years as a wholly separate imprint — and fictional universe — with its own style and audience.

In March DC acquired publishing and merchandising rights to the long-running fantasy series Elfquest , previously self-published by creators Wendy and Richard Pini under their WaRP Graphics publication banner.

Agents , in collection into DC Archive Editions. It also rebranded its younger-audience titles with the mascot Johnny DC and established the CMX imprint to reprint translated manga.

DC also took advantage of the demise of Kitchen Sink Press and acquired the rights to much of the work of Will Eisner , such as his The Spirit series and his graphic novels.

In , DC began laying the groundwork for a full continuity-reshuffling sequel to Crisis on Infinite Earths , promising substantial changes to the DC Universe and side-stepping the Zero Hour event which similarly tried to ret-con the history of the DCU.

In , the critically lauded Batman Begins film was released; also, the company published several limited series establishing increasingly escalated conflicts among DC's heroes, with events climaxing in the Infinite Crisis limited series.

Immediately after this event, DC's ongoing series jumped forward a full year in their in-story continuity, as DC launched a weekly series, 52 , to gradually fill in the missing time.

Concurrently, DC lost the copyright to "Superboy" while retaining the trademark when the heirs of Jerry Siegel used a provision of the revision to the copyright law to regain ownership.

In , DC launched its " All-Star " line evoking the title of the s publication , designed to feature some of the company's best-known characters in stories that eschewed the long and convoluted continuity of the DC Universe.

In , DC rebooted all of its running titles following the Flashpoint storyline. The reboot called The New 52 gave new origin stories and costume designs to many of DC's characters.

DC licensed pulp characters including Doc Savage and the Spirit which it then used, along with some DC heroes, as part of the First Wave comics line launched in and lasting through fall In May , DC announced it would begin releasing digital versions of their comics on the same day as paper versions.

On June 1, , DC announced that it would end all ongoing series set in the DC Universe in August and relaunch its comic line with 52 issue 1s, starting with Justice League on August 31 written by Geoff Johns and drawn by Jim Lee , with the rest to follow later on in September.

On June 4, , DC unveiled two new digital comic innovations to enhance interactivity: DC 2 and DC 2 Multiverse. DC 2 layers dynamic artwork onto digital comic panels, adding a new level of dimension to digital storytelling, while DC 2 Multiverse allows readers to determine a specific story outcome by selecting individual characters, storylines and plot developments while reading the comic, meaning one digital comic has multiple outcomes.

DC 2 will first appear in the upcoming digital-first title, Batman '66 , based on the s television series and DC 2 Multiverse will first appear in Batman: Arkham Origins , a digital-first title based on the video game of the same name.

In , DC announced an eight-issue miniseries titled "Convergence" which began in April After that, many new series would launch with a twice-monthly release schedule and new creative teams for nearly every title.

The relaunch was meant to bring back the legacy and heart many felt had been missing from DC characters since the launch of the New Rebirth brought huge success, both financially and critically.

In September , Warner Bros. Burbank, California, headquarters in The other units, animation, movie, TV and portfolio planning, had preceded DC Comics by moving there in DC Entertainment announced its first franchise, the DC Super Hero Girls universe, in April with multi-platform content, toys and apparel to start appearing in Pictures reorganized in May to have genre responsible film executives, thus DC Entertainment franchise films under Warner Bros.

This was done in the same vein as Marvel Studios in unifying DC-related filmmaking under a single vision and clarifying the greenlighting process.

Johns also kept his existing role at DC Comics. DC Entertainment and Warner Bros. Digital Networks announced in April DC Universe digital service to be launched in with two original series.

With frustration over DC Films not matching Marvel Studios ' results and Berg wanting to step back to being a producer in January , it was announced that Warner Bros.

DC's first logo appeared on the April issues of its titles. The small logo, with no background, read simply, "A DC Publication".

The November DC titles introduced an updated logo. This version was almost twice the size of the previous one and was the first version with a white background.

This logo was the first to occupy the top-left corner of the cover, where the logo has usually resided since.

The company now referred to itself in its advertising as "Superman-DC". In November , the logo was modified to incorporate the company's formal name, National Comics Publications.

In October , DC briefly retired the circular logo in favour of a simple "DC" in a rectangle with the name of the title, or the star of the book; the logo on many issues of Action Comics , for example, read "DC Superman".

An image of the lead character either appeared above or below the rectangle. For books that did not have a single star, such as anthologies like House of Mystery or team series such as Justice League of America , the title and "DC" appeared in a stylized logo, such as a bat for "House of Mystery".

This use of characters as logos helped to establish the likenesses as trademarks , and was similar to Marvel's contemporaneous use of characters as part of its cover branding.

DC's " Page Super-Spectacular" titles and later page and "Giant" issues published from to featured a logo exclusive to these editions: A variant had the letters in a square.

The July DC titles featured a new circular logo. The letters "DC" were rendered in a block-like typeface that would remain through later logo revisions until The title of the book usually appeared inside the circle, either above or below the letters.

In December , this logo was modified with the addition of the words "The Line of DC Super-Stars" and the star motif that would continue in later logos.

This logo was placed in the top center of the cover from August to October When Jenette Kahn became DC's publisher in late , she commissioned graphic designer Milton Glaser to design a new logo.

Popularly referred to as the "DC bullet", this logo premiered on the February titles. Although it varied in size and colour and was at times cropped by the edges of the cover, or briefly rotated 4 degrees, it remained essentially unchanged for nearly three decades.

The company released these variants to newsstands in certain markets as a marketing test. The Return of Donna Troy 1 and the rest of the titles the following week.

In addition to comics, it was designed for DC properties in other media, which was used for movies since Batman Begins , with Superman Returns showing the logo's normal variant, and the TV series Smallville , the animated series Justice League Unlimited and others, as well as for collectibles and other merchandise.

The new logo was first used on May 25, , in conjunction with the release of DC Universe: Rebirth Special 1 by Geoff Johns. It was announced in April , [78] with the title and service formally announced in May DC Universe is expected to offer more than video content through the inclusion of an immersive experience with fan interaction that encompasses comics in addition to television.

Google Play , Comixology []. Irwin said he never played golf with Goodman, so the story is untrue. I heard this story more than a couple of times while sitting in the lunchroom at DC's Third Avenue and 75 Rockefeller Plaza office as Sol Harrison and [production chief] Jack Adler were schmoozing with some of us As the distributor of DC Comics, this man certainly knew all the sales figures and was in the best position to tell this tidbit to Goodman.

Of course, Goodman would want to be playing golf with this fellow and be in his good graces Sol worked closely with Independent News' top management over the decades and would have gotten this story straight from the horse's mouth.

Goodman, a publishing trend-follower aware of the JLA's strong sales, confirmably directed his comics editor, Stan Lee , to create a comic-book series about a team of superheroes.

It was a book called The [ sic ] Justice League of America and it was composed of a team of superheroes. From Wikipedia, the free encyclopedia.

This is the latest accepted revision , reviewed on 10 November There is 1 pending revision awaiting review. This article is about the US publisher of comics.

For the Scottish publisher of comics and newspapers, see DC Thomson. Golden Age of Comic Books. Silver Age of Comic Books.

Bronze Age of Comic Books. Modern Age of Comic Books. Not to be confused with DIC Entertainment. Pam Lifford President, Warner Bros.

DC Universe streaming service. Comics portal New York City portal Companies portal. However, film producer and comics historian Michael Uslan partly debunked the story in a letter published in Alter Ego 43 December , pp.

Archived from the original on September 13, Retrieved September 11, Archived from the original on May 13, Retrieved May 11, Archived from the original on September 23, Retrieved June 17, Archived September 21, , at the Wayback Machine.

Retrieved October 18, Archived from the original on August 2, Retrieved July 11, Archived from the original on June 30, Archived from the original on January 23, Retrieved January 23, Share of Overall Units—Marvel The Comic Book in America: Archived from the original on March 10, Retrieved February 12, Archived from the original on February 23, Publishers of Comic Books Showing Decline".

The New York Times. Archived from the original on July 23, Retrieved July 23, It was just a year ago that some rather surprising news was announced to the world about a venerable American institution.

The announcement said that Superman had gone public. Archived May 16, , at the Wayback Machine. Retrieved December 18, Flash identitet, kostym och bakgrund skrevs helt om för den moderna generationen serieläsare.

Denna behandling blev populär och snart fick även Gröna Lyktan en liknande uppfräschning. Samtidigt introducerade han nya serietitlar och figurer.

Konceptet och karaktärerna integrerades dock i DC's Multiverse. Under denna period försökte DC konkurrera med Marvel genom att kraftigt öka sin produktion.

Bokstäverna DC stod för Detective Comics vilket var det namn företaget använde vid den tiden. Den bestod bara av den enkla texten "A DC Publication".

I november introducerades en uppdaterad DC-logotyp. För House of Mystery var texten utformad som en fladdermus. Visningar Visa Redigera Redigera wikitext Visa historik.

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